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Dime museums were establishments that grew in popularity starting from 1870 that were used to display performers, human anatomy exhibitions, dioramas, oddities, and moral lectures to the general public.Sears, Clare. “Electric Brilliancy: Cross-Dressing Law and Freak Show Displays in Nineteenth-Century San Francisco.” Women’s Studies Quarterly 36, no. 3/4 (2008): 170–87. http://www.jstor.org/stable/27649793. These institutions peaked in popularity at the end of the 19th century all throughout the .Thomson, Rosemarie Garland, ed. (1996). Freakery: cultural spectacles of the extraordinary body (5. imp. ed.). New York u.a.: New York Univ. Press. p. 315. . Designed as centers for entertainment and moral education for the (), the museums were distinctly different from upper middle class cultural events (). In urban centers like New York City, where many immigrants settled, dime museums were popular and cheap . The social trend reached its peak during the (c. 1890–1920). Although lowbrow entertainment, they were the starting places for the careers of many notable -era entertainers, including , , Joe Weber, the , and .


History
Dime museums arose during a unique time in American history. Urban areas were becoming more economically and racially diverse. The new working and middle class needed new forms of entertainment due to increased leisure time from advances in labor production. Dime museums became a popular form of mass entertainment.

Dime museums took on trends from now controversial . Freak shows trace their origins to early 19th-century Europe. Freak shows were also a form of mass entertainment; however, they frequently took advantage of the people they put on display. They used non-Western and physically abnormal individuals as spectacles, often accentuating , , fetishes, and exclusionary hierarchies.Půtová, Barbora. “Freak Shows. Otherness Of The Human Body As A Form Of Public Presentation.” Anthropologie (1962-) 56, no. 2 (2018): 91–102. https://www.jstor.org/stable/26476304.

Dime museums were not strictly for a specific group since they were open to anyone who could afford the entrance fee. They were a place where people could enjoy wild entertainment while also learning due to the educational front these museums displayed. Dime museums eventually fell out of style once other forms of entertainment began to rise in popularity. , higher-quality films, and (a form of theatrical entertainment). These forms of entertainment were refreshing to audiences who had grown accustomed to contents within dime museums. By World War I, dime museums existed only as memory.Dennett, Andrea Stulman. Weird and Wonderful: The Dime Museum in America. New York, NY: New York University Press, 1997. https://doi.org/10.18574/9780814744215.


San Francisco
One of the longest running dime museums in was the Pacific Museum of Anatomy and Natural Science. One of the first exhibits at the museum featured a preserved head of . Joaquin Murrieta was a famous Mexican outlaw who fought against Western dominance and expansion. Dime museums also focused on differences between peoples' bodies, including bodies that transgressed gendered and racialized expectations. In 1895, Milton B. Matson, a transgender was arrested in San Francisco for suspected fraud and eventually began working at a local dime museum. Having been offered a position by Frank Clifton (a dime museum manager), Matson, out of necessity for work and money, took up the job of sitting upon a platform while wearing men's clothing.

San Francisco was also home to the Museum of Living Wonders and Woodward's Gardens. These were located on Kearny Street and in the Mission district respectively.Sears, Clare. “Indecent Exhibitions.” In Arresting Dress: Cross-Dressing, Law, and Fascination in Nineteenth-Century San Francisco. pg. 97-120. Duke University Press, 2015. https://doi.org/10.2307/j.ctv1220nx9.


Baltimore
In , , is credited as one of the first serious museums in the country. This type of attraction was re-created in the American Dime Museum in 1999, which operated for eight years before closing permanently and auctioning off its exhibits in late February 2007.


Boston
Kimball's Museum and Austin & Stones Museum in Scollay Square were both well-known attractions, the former having a friendly connection to, and sometimes competition with, P. T. Barnum. Barnum and even shared on a regular basis.


Cincinnati
Both John James Audubon and sculptor produced displays for the Western Museum, organized by Dr Daniel Drake in 1818 and continued by Joseph Dorfeuille.Baluk, Ulana Lydia. "Proprietary Museums in Antebellum Cincinnati: 'Something to please you and something to learn'." University of Toronto. 2000. "Satan and his Court" wax figures with moving parts and glowing eyes are typical of these displays.


New Orleans
On Canal Street, "Eugene Robinson's Museum and Theater" featured entertainment on the hour and also presented some of its attractions on a nearby riverboat. The common promotion gimmick of a brass band at the front entrance of these Dime Museums featured some of the earliest documented traditional jazz; Robinson's riverboat museum also hired Papa Jack Laine.


New York City
P. T. Barnum purchased Scudder's Dime Museum in 1841 and transformed it into one of the more popular single cultural sites that has existed, Barnum's American Museum. Together, P.T. Barnum and introduced the so-called "", which was a moralistic education realized through sensational Lisa Rochelle Murray, MA Thesis: P.T. Barnum Presents: The Greatest Classroom on Earth! Historical Inquiry into the Role of Education in Barnum's American Museum The University of Texas at Austin, 2009
The first incarnation "American Museum" on Ann Street burned down on 13 July, 1865. It was relocated further up Broadway, but this venue too, fell victim to fire on 3 March, 1868.

For many years in the basement of the in in New York City, Hubert's Museum featured acts such as Lady Estelene, Congo The Jungle Creep, a , a half-man half-woman Alberto Alberta, and magicians such as Earl "Presto" Johnson. This museum was documented in photography by . Later, in Times Square, mouse pitchman opened a dime museum that featured Tisha Booty"the Human Pin Cushion"and several magicians, including , , , Dick Brooks, and others.


Chicago
In 1882, C. E. Kohl and Middleton opened their first Dime Museum in . It was located at 150 West Madison Street, east of Halsted.

In 1883 they opened a new one at 150 S. Clark Street, near Madison (now 10 South Clark Street) and a third one at 150 W. Madison, opposite Union street.


Further reading
  • . "'A Congress of Wonders:' The Rise and Fall of the Dime Museum." Emerson Society Quarterly 20, no. 3 (1974): 216-232.

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